Getting your colors right may mean dimming the lights
A few years ago, the computer age allowed photographers to escape the darkroom. Ironically, newly released, rigid viewing standards are pushing the photography, graphic arts, and publishing industries toward the need to lower the lights for entirely different reasons.
It's not uncommon for desktop publishers in corporate environments to set up digital imaging computers in offices awash in fluorescent and window light. That approach, after all, saves money. But it does so at the expense of precise color image editing. Seasoned color editors agree that the most effective work space for critical computer editing of photography actually is a specially designed, darkened room -- in which the overall illumination is lower than the brightness output of the computer monitor.
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the steps necessary to convert an everyday office into a workspace that promotes color accuracy
In the first installment of this two-part article, we made the case for turning down the lights in computer editing rooms for graphic artists and photographers who need more-accurate color. Getting your workspace right for color-accurate situations may also require toning down the colors of walls, counters, and even monitor desktop color schemes. In this second installment, we'll give you the information you need to turn your own office into a proper "digital" darkroom, or at least to move it in the right direction.
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